Oh, Caroline. It's even worse than I thought it was going to be.

Writing plot.

I've had this idea for an Once a Thief/Invisible Man crossover floating around in my head for awhile now becaue they're both slashtastic, crazy spy shows. The only trouble is, getting Darien and Bobby up to Canada requires all sorts of plotting and, worse than that, follow through. I can't just dump them in Canada, work out the problem in their relationship, introduce crazy sex into said relationship, then end without solving the mystery they're up there to solve.

At least I managed to talk myself back into Mac & Vic having an established relationship. Writing two fledgling relationships plus a crazy plot would just drive me crazy.

***

Having had some time to reflect, I stand firm in my opinion that, Peta Wilson and her faboo costumes notwithstanding, LXG was a steaming pile of manure. I find I cannot agree with a single choice made. The direction and storytelling were awkward and some of the character choices were supremely inconsistent (Dr. Jekyll/Mr. Hyde, anyone?), the script was stilted and ridiculous and full of useless dialogue, the editing was atrocious, the music was mediocre, and the acting - dear god, the acting - was... for the most part there aren't words.

LXG was worse than Dungeons and Dragons and pretty much on par with Valentine and Dracula 2000. It was that bad.

Worst. Movie. Ever.

The only reason I didn't walk out (aside from being in a group) was Peta Wilson.

Man, Connery is complete crap.

I had the epiphany the other night that Mabel the Cat is dreadfully afraid of thunder. We've had some huge storms the past couple of days and all she's done is cry and dart back and forth, sticking close to the floor. Poor baby.

everlastingwhy and I watched Ghost Ship last night. That movie sucked donkey balls. If not for carolinecrane's wonderful slash, I would have turned it off after the first scene with the Cable O'Doom. As it is, I'm pretending the end of the final scene didn't happen. I find nothing as irritating as the 'shocking' twist that every horror movie insists on tagging on to a perfectly rational ending. In my mind, Munder and Dodge went to the light and are now living happily in the afterlife.